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If you’ve been on television – and in Washington, that is – then you’ve been “in the picture.” If you’ve been very lucky, you’ve landed in the chair of an artist named Rose Procopio Barondess.
Rose, as everyone knows, has been a popular and popular figure for over 40 years. From Mikhail Gorbachev to Betty White and presidents Bill Clinton to Donald Trump, Rose has painted them all, and most of the decorators are asked because he can change them from every angle.
Mind you, there are many beautiful makeup artists in the television talk show. But Rose is special. Ask Clinton, who signed one of the gowns she used to protect clients’ clothes: “Rose — the best gift this side of plastic surgery.” Henry Kissinger wrote: “You did the best you could.” Dee Dee Myers, former White House press secretary, said: “I bow at your feet.”
His photo with these and other famous signatures, including Rose’s jewelry bag, will become part of history on Monday when Rose will present it to the American Museum of Art. The museum requested that Rose keep her large suitcase, including her many paints, paints, powders, brushes and other tools. Tim Russert thought years ago that he would donate.
He’s not really retired – his clients are still “exclusive”, both individual and anchored. But the epidemic, when he lost his father, took a toll on his work life.
Rose, who was born in DC, got into the business early, creating it with her brothers. She started modeling at the age of 19 but prefers to stay behind the scenes than in front of the camera. “I had more control over makeup,” she remembers, “and I was better at modeling.”
Having worked mostly with network and cable television – Dan Rather, Tom Brokaw, Katie Couric, Russert and Chris Matthews, to name a few – he has also traveled the world with talent. In the 1996 presidential race between Bill Clinton and Bob Dole, he worked with both campaigns and was both candidates.
I have known Rose since I first appeared as a guest on the Sunday show about 15 years ago. Within minutes, she was able to turn my slightly wet face into something people would be happy to admit into their living room for a few minutes.
Let’s be honest; this is a dangerous job. You have to go in front of famous people, many times an hour, every day. It’s also a strange act of loyalty, and it doesn’t get any easier. As she worked, Rose focused on every pore of your face and kept her thoughts to herself.
And the people he paints? They never express love. Rose talks about making John F. Kennedy Jr. on Russert’s “Meet the Press,” and the show’s producers told him not to talk to him, not to look at him, not to make eye contact, no. to photograph him, to ask for an autograph. Rose didn’t say a peep until Kennedy asked her about her bow and asked if she would sign it again. He turned to Russert and asked if he could sign. “Of course he can!” Russert called out.
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